M! Top 10: Die schrägsten Spielenamen

Zur Ergänzung – das Wort stammte aus dem Werk Finnegans Wake (1939) von James Joyce:
https://en.wikipedia.org/wiki/Finnegans_Wake

Darin heißt es:

An extreme example of the Wake’s language are a series of ten one-hundred letter words spread throughout the text (although the tenth instead has a hundred and one letters). The first such word occurs on the text’s first page; all ten are presented in the context of their complete sentences, below.

-The fall (bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!) of a once wallstrait oldparr is retaled early in bed and later on life down through all christian minstrelsy.

-And the duppy shot the shutter clup (Perkodhuskurunbarggruauyagokgorlayorgromgremmitghundhurthrumathunaradidillifaititillibumullunukkunun!)

-The(klikkaklakkaklaskaklopatzklatschabattacreppycrottygraddaghsemmihsammihnouithappluddyappladdypkonpkot!).

-Bladyughfoulmoecklenburgwhurawhorascortastrumpapornanennykocksapastippatappatupperstrippuckputtanach, eh?

-Thingcrooklyexineverypasturesixdixlikencehimaroundhersthemaggerbykinkinkankanwithdownmindlookingated.

-Wold Forrester Farley who, in deesperation of deispiration at the diasporation of his diesparation, was found of the round of the sound of the lound of the Lukkedoerendunandurraskewdylooshoofermoyportertooryzooysphalnabortansporthaokansakroidverjkapakkapuk.

-Bothallchoractorschumminaroundgansumuminarumdrumstrumtruminahumptadumpwaultopoofoolooderamaunstrunup!

-For hanigen with hunigen still haunt ahunt to finnd their hinnigen where Pappappapparrassannuaragheallachnatullaghmonganmacmacmacwhackfalltherdebblenonthedubblandaddydoodled and anruly person creeked a jest.

-Let us here consider the casus, my dear little cousis (husstenhasstencaffincoffintussemtossemdamandamnacosaghcusaghhobixhatouxpeswchbechoscashlcarcarcaract) of the Ondt and the Gracehoper.

-Ullhodturdenweirmudgaardgringnirurdrmolnirfenrirlukkilokkibaugimandodrrerinsurtkrinmgernrackinarockar!

These ten words have come to be known as thunders, thunderclaps, or thunderwords, based upon interpretation of the first word as being a portmanteau of several word-forms for thunder, in several languages.[208] The Canadian media theorist Marshall McLuhan (with Quentin Fiore and Jerome Agel) made this connection explicit in his War and Peace in the Global Village, where he identified the ten words as “thunders”,[209] reproducing them in his own text.[210] For the purposes of his book, McLuhan appropriated the ten words and interpreted them as symbolizing various forms of human technology, which together with other liberal quotations from the Wake form a parallel rhetoric which McLuhan used to discuss technology, warfare, and human society. Marshall’s son Eric McLuhan carried on his father’s interpretation of the thunders, publishing The Role of Thunder in Finnegans Wake, a book expressly devoted to the meaning of the ten words. For [Eric] McLuhan, the total letter count of the above ten words (1001) intentionally corresponds to the One Thousand and One Nights of Middle Eastern folklore, which buttresses the critical interpretation of the Wake as being a book of the night.

Ich hoffe, damit wäre alles geklärt. 🙂