ghostdog83
Verfasste Forenbeiträge
-
Da wird Mario wohl in Zukunft um seinen Stammplatz als das Gesicht Nintendos bangen müssen, wenn das so weiter geht.
Interessant wäre es zu sehen, wie Nintendo die Marke Splatoon in anderen Bereichen ausbaut.Das Team von Playtonic Games hat Zuwachs in Form des langjährigen Rare Veteranen (1989-2005) Kevin Bayliss bekommen.
Dieser war sowohl als Designer, Art Director und Voice Actor tätig.
Vita:
- Cobra Triangle (1989) – graphics artist
- Double Dare (1990) (NES port) – graphics artist
- Pin*Bot (1990) – graphics
- Killer Instinct (1994) – character design and development, motion capture actor, voice acting for Jago and Glacius (arcade version only)
- Killer Instinct 2 (1994) – producer, game designer, motion capture
- Battletoads (1994) – character artist, voice actor
- Donkey Kong Country (1994) – animator, character designer
- GoldenEye 007 (1997) – voice acting for James Bond
- Diddy Kong Racing (1997) – art director, graphics director, voice acting for Tricky
- Mission: Impossible (1998) – voice acting for Ethan Hunt, Jim Phelps, the voice on tape and soldiers
- Star Fox Adventures (2002) – lead artist, voice acting for Prince Tricky and King of Earthwalker tribe
- Perfect Dark Zero (2005) – lead character design
- Killer Instinct (2013) – lead character design
.
Pressemitteilung von Playtonic Games
.
.
Bayliss goes permanentAs S Club 7’s HR team probably once said, there ain’t no update like an employment update – especially when it involves legendary character artist Mr. Kev Bayliss.
In his previous life, Kev was one of the first employees at Rare. As ‘Graphics Director’ he created the memorable character casts for a plethora of gaming classics including Battletoads, Killer Instinct, Diddy Kong Racing and StarFox Adventures.
However, the prestigious scribbler is perhaps most famous for his work forming the origins of Donkey Kong Country, working with Shigeru Miyamoto to create the modern Donkey Kong and sidekick Diddy (the DKC art team also included Playtonic employees Steve Mayles, Steven Hurst and Mark Stevenson.)
Kev’s been flirting (and sketching) with Playtonic for a while now, but clearly our new kitchen facilities have been enough to convince him to go steady. We’ll let him explain in his own words below.
See the Playtonic Team page for further staff-related analysis. For a more detailed catch up on Kev’s career read our Kev Bayliss interviewfrom last summer.
.
Welcome aboard, Kev!
.
.
After working at Rare for nearly 20 years (since the 80s!) it was nice to be able to take a break from games when I eventually left in 2005. I’ve worked on a few music and art projects since then, but I also missed being part of a video game team.The timing with Playtonic was perfect. After meeting up with the team last year it became obvious to me that this was something I had to be a part of. I hadn’t seen some of the Playtonic team for almost a decade, but the environment and dynamic they’d recreated at the studio felt as though I’d been transported back to the 90s – in a good way!
.
(One of Kev’s more hollow creations.)
.
For the past six months I’ve been travelling up and down the country to spend a couple of days a week with the team, but now I’m in the process of re-locating to work fulltime at Playtonic. This year my wife and I are moving much nearer to where the studio is located, and it’ll take me 15 minutes to get into work, rather than two hours. So that means more graphics, and speedier development time!I’m very pleased and feel very lucky to be connected to the company now”
To date I’ve really enjoyed contributing characters to Yooka-Laylee and working within the office environment. So far I’ve built a variety of silly characters for the game, from concept sketch right through to the final models and animation. I had to spend a bit of time getting back up to scratch with technology, but thankfully a few months of nagging the other artists sorted that!
In the future I’d love to rekindle some of the ideas I’ve had since leaving Rare, and help bring to life some of those even bigger, bolder character concepts that have been brewing in my head. I’ve so many ideas, old and new, so it’s going to be great fun filling that little logo-flask with more stars.
In short, it’s like old times, but new! There are fantastic group of people here and we all have the same ambitions. I’m very pleased and feel very lucky to be connected to the company now, and really excited about the future!
.
(Monkey business.)Quellen:
Rare Wikia
Playtonic GamesIch kann es kaum noch abwarten.
Eine solche Festplattenabdeckung würder ich mir einzeln kaufen wollen.
Es gibt schon einfarbige in Deutschland zu kaufen.
[img]http://i.imgur.com/lhjhbB9.gif?noredirect[/img]
Sieht mir etwas zu leicht aus.
Aber stimmige Musik, schöne Animationen.
Wenn das Spiel so groß ist wie auf der Karte mit der Qualität bei den Assets wie in den Videos, wäre das schon ein Husarenritt. Das Budget würde mich mal interessieren.
Mir gefallen die häufigen Unterbrechungen im ersten Drittel von Uncharted 3 auch nicht, da für mich der Spielfluss gestört wird.
Aber es ist nun mal ein sehr cineastischer 3rd-Person-Shooter, der bei der Inszenierung stärker als seine Genrekollegen auftrumpft.Entweder man mag es oder lässt die Finger von solchen Spielen. Wie Chris schreibt, finde bei solchen Worten keine Basis für eine vernünftige Diskussion.
Das Gegnerverhalten finde ich auf den hören Stufen fordernd, nicht unfair (Extrem Schwierigkeitsgrad). Hab U3 damals auf der PS3 ohne wirkliche Schwierigkeiten und mit erfolgreichen Schleichaktionen gemeistert. Nach dem Platin bei U2 Remastered werde ich da auch fortfahren.
Dennoch stört es mich nicht wenn Kevin seine Uncharted Abneigung freien Lauf lässt, hat doch jeder so sein “Hass”objekt.
